Tuesday, May 26, 2009

3 Common Characteristics of Type

Recently I was reading about the evolution of typefaces. I thought this was an interesting piece of information to share from Designing with Type, by Craig. It is how we identify Old Style, Transitional and Modern Typography.


Variation in Stress

From the early pen and ink fonts drawn by scribes, a distribution of weight in the letters which creates “ STRESS” can be seen. The example of the letter “O” is shown here to illuminate the differences of Old Style fonts to the most Modern fonts. See the diagonal stress line as it changes over the centuries?

















Variation in Strokes

“The degree of contrast between the thick and thin strokes of letters is VARIATION.”
The example below shows Garamond which has little contrast between the weight of the thick and thin strokes vs. Helvetica which has no variation at all.




























Variation in Serifs

Serifs are the ornament that decorates the stroke of a letter. Serifs vary in the way the serif meets the vertical stroke of the letter. You can see the weight difference in the example here:













Next time you choose a new font – ask yourself -- about the subtle differences that make the Characteristics of the new font stand out. Is it easy to read and comfortable to follow across the page? Is it Old Style, Transitional or Modern?


Kristine Sheehan
TheMerryBird.com
“Your Stationery in Flight”
203-551-1155

Friday, May 15, 2009

A Logo: Empower U Academy


Marketing mentor Denise Michaels has started a new division of her business, Empower U Academy. Dealing with mostly women and home based business owners, Denise guides those that she mentors to be more successful and to feel empowered about themselves.
Her new logo, designed by TheMerryBird (me:) represents a place of learning and a place where the goal is for the mentored to change the way they see themselves while embracing empowerment. "This belief in self causes them to be more effective at achieving their goals."
Providing a credible source of honest learning that is genuinely about helping people in a way that is fun, fast and based on reality, Denise mentors those to channel empowerment into business and into life!
The laurel wreath gives this logo an Academic flare while it's leaves guide the eye toward the word "Academy". The letter U represents the learner being born at the top of the academy class! Her choice of colors are gold, bluish purple and a touch of vine green, all of which represent goals, strength and life. Feel the empowerment!
Her new website is presently under construction but will be up and running full force soon!
Kristine Sheehan, TheMerryBird.com
Read Denise's and other Merry Bird design Testimonials here:

Sunday, May 03, 2009

A Basic "Quick" in Design Theory

So little time and so much to soak in! Ok design sponges - here are 3 Theories all Designers depend on. Most of these tips should be in your design background already but it never hurts to revisit them to awaken your inner designer again and again:


1: A Brief on Color Theory

Every designer has at some point in time seen a color wheel. It is basically the history of color making in one place.




It starts with the Primary Colors: Blue, Red and Yellow. Strong and versatile each color when mixed with one of the others creates a Secondary Color. i.e.- Blue + Red make purple, Red + Yellow make orange, and Blue + Yellow make green. My child loves to mix colors – it’s amazing to him. If I stop to think about it, color creation by mixing is Amazing!

The next step in mixing colors brings in a series of color hues that depending on saturation can be a darker or lighter version of the original color.

Ok – You get the idea.

Now there are Complimentary colors. These are the Colors that sit opposite from one another on the color wheel. When these colors when placed together tend to “vibrate”
i.e. Red and Green, Purple and Yellow etc.

Analogous colors are three colors next to each other on the wheel. i.e. Blue Violet, Violet, Violet Red.


2: Basics of Design

Learning how line, color, shape, texture, scale and space work together is where design basics begin. Ask yourself some questions and you will see the psychology on a design page.

Line is an important piece of design. It sets a tone to the image or design page. Are the lines straight and organized? Wavey and smooth? Jagged and pointy? Line sets the stage for the feeling in the design.

Color is the mood descriptor. Are you feeling blue? Are you feeling Red Hot? Friendly yellow?

Like line, Shape also sets a stage for a feeling. Does the square design on the page exude safety? Does the circle create fluidity, natural curves? Triangular balance?

Texture in a design is a nice way to bring a tactile sensation to a design. Basket weaves, ropes, satin, wood. Textures that people understand can enhance the mood of the design.

Scale is another point in design that cannot be ignored. Size matters! Are you looking at a business card or a billboard?

Space, use it wisely and there are not limits!


3: Typography

Here is a “Quick” on a very extensive topic, Typography.

To begin, typography is everywhere! It is an arrangement of fonts designs that you see in the newspaper, a magazine, on a billboard or a logo.

Typefaces are fonts like Arial, Times Roman etc. Fonts are a specific size or style of the typeface, i.e. Arial Narrow, 14pts.

Two types of font styles are Serif and Sanserif fonts.

Serif fonts are those with curls or ornate décor on the end of the letter stem:




Image Ref: www.ilovetypography.com/2007/08/26/who-shot-the-serif-typography-terms/



SanSerif fonts are Basically a Serif Font without a serif! Which means there isn't any flare or decoration on the letter stem.



How to utilize typography is up to the designer. But Typography involves other important elements to consider too - spacing, kerning, sizing and arrangement. Check out the link below for futher info!

Check out http://www.observin.com/ for more info. On typography.


Utilize theory to make your designs the best they can be. Theory is the basis of all design.


Kristine Sheehan
TheMerryBird.com
5/3/09